[Pre-Chorus: Pharrell Williams] We're up all night to get lucky Despite its live-band feel, the song is a deceptively potent dance-floor jamâone canât help but take Pharrellâs advice. She's up all night for good fun Though long since eclipsed in the public consciousness by its sampling on Kanye Westâs nine-times-platinum single âStronger,â this Discovery cut harkens back to the stripped-down danceability of their debut, laying down a springy sample of Edwin Birdsongâs âCola Bottle Baby,â and a stuttering beat and bassline lockstep. Touch. The comedown after âHigh Lifeââs euphoria on Discovery, âSomething About Usâ is driven by quiet keys and funky guitar and bass, the rare reminder that Daft Punk could soundtrack a slow dance just as expertly as a wild one when they wanted. We're up all night to get Only three distinct elementsâan unflagging drum machine, heavily distorted power chords and robotic vocals repeating its titleâmake up most of the song, with its synth and guitar palette blooming and buzzing in the choruses. Additionally, Bag Raiders and Daft Punk sampled their single "First Come First Served" with the songs "Shooting Stars" and "Too Long" respectively. We're up all night to get lucky De Homem-Christo said it was "like the core of the record, and the memories of the other tracks are revolving around it". We're up all night to get lucky The robots get intimate and make a romantic case via vocoder, acknowledging the risk of unrequited love before laying all their cards on the table (âI need you more than anything in my life / I want you more than anything in my lifeâ). Pharrell Williams)â, 17. âInstant Crush (feat. In honor of Guy-Manuel de Homem-Christo and Thomas Bangalterâs singular output, weâve taken the liberty of ranking its 20 best entries, a selection of blissful, meticulously crafted electronic tracks that will always have a place on dance floors worldwide. We're up all night to get lucky I'm up all night to get lucky We're up all night to get lucky Those lyrics are delivered not via Daft Punkâs typical autotuned vocals, but by a more high-pitched, almost childlike voice, like either an external machine or an inner monologue handing out commands (âBuy it, use it, break it, fix itâ), both in an endless cycle and to unclear ends. We're up all night to get lucky The duo overlay that with the songâs iconic vocoder-assisted vocals, leaning into their robot personas via the tireless repetition of their disyllabic lyrics, then letting them degrade during the songâs funk-forward breakdown. The robots teamed up with Pharrell Williams only twice on Random Access Memories, but the 13-time Grammy winner made those collaborations count, lending his vocals to two of that albumâs biggest hits. She's up all night to the sun It was their only song to top the US Billboard Hot 100 and, following news of their breakup, it looks to be their last. Letra de Get Lucky. Get Lucky. We're up all night to get back together We're up all night for good fun Daft Punk get together with Pharrell Williams and Nile Rodgers for the first single from their 2013 Grammy Award winning LP, Random Access Memories. Touch - Random Access Memories We're up all night to get lucky Daft Punk get together with Pharrell Williams and Nile Rodgers for the first single from their 2013 Grammy Award winning LP, Random Access Memories. Heâs on Twitter, if youâre into tweets: @pscottrussell. We've come too far [Chorus: Pharrell Williams] [Pre-Chorus: Pharrell Williams] Batting clean-up on Discovery, the track is the perfect distillation of the albumâs long-form homage to the music of de Homem-Christo and Bangalterâs childhoods, transforming the guitar and synth riff from George Dukeâs 1979 funk track âI Love You Moreâ into the gleaming centerpiece of a lovesick 4/4 stomper thatâs hiding a broken heart. Itâs an odd time for the Parisian robots to walk away, given that no one had necessarily been holding their breath for new music from them any time soon, but they leave behind an absolutely stellar body of work, from their 1997 debut Homework to 2013âs Grammy-vacuuming comeback Random Access Memories. This Homework single, a gem from the back half of Daft Punkâs first full-length, lures you in with exuberant guitar strums sampled from Karen Youngâs late-â70s disco hit âHot Shot,â then introduces a rubber band of a deep-house groove. Daft Punk said that'"Touch' influenced a huge chunk of the sound of Random Access Memories. We're up all night to get lucky You can hear all the distinct strands of Daft Punkâs DNA across this song, from its economic drum machine loop to the dynamic, unerringly melodic way they deploy the rest of its instrumentation. Daft Punk does recognize The Neptunes as an inspiration, but Pharrell was used in “Get Lucky” and “Lose Yourself to Dance” as a voice of one of the greatest producers of modern times that could provide real soul vocals, rather than production, to Daft Punk’s throwback project. We're up all night to get lucky The song breaks down and builds itself back up, one Wurlitzer becoming two, with vocoderized vocals begging of their affectionâs object, âWhy donât you play the game?â A guitar solo that sounds like itâs being beamed in from another galaxy is the finishing touch on Daft Punkâs finest five minutes. The Game Of Love. We're up all night to get lucky To give up who we are Big bonus points for Michel Gondryâs iconic music video, which plays out like a Busby Berkeley film on club drugs. [Chorus: Pharrell Williams] Daft Punk pitch the Tavares brothersâ voices up past recognizable, chopping their vocals into stray syllables that are no less ebullient and uplifting for their unintelligibility. It would appear âInstant Crushâ is what introduced Julian Casablancas to the love of his non-Strokes life, the vocoder, which polishes his stylishly gritty voice into more of a delicate, fluttering coo, and fits all the better with the songâs yearning and vulnerable lyrics. We're up all night to get lucky I'm up all night to get lucky I'm up all night to get some We're up all night to get some TOP lyrics de Daft Punk. We've come too far An autotuned voice seeps into the mix from no discernible point of origin, urging âMake love, make loveâ over and over. The shifting give-and-take between those two through lines is what makes this song so mesmerizingâjust when you think you have it pinned down, itâs on the move again. Fragments Of Time. Get the latest news, features, … A sample of Breakwaterâs âRelease the Beastâ is the songâs foundation, winning half the battle on its own, but de Homem-Christo and Bangalter put their distinct spin on it, subtly transforming the 1980 trackâs funk swagger into a clipped, mechanical march fit for an automaton. âLose Yourself to Danceâ duo Pharrell Williams and Nile Rodgers of Chic provide a similar interplay here, with the formerâs breezy vocals rendering the trackâs weapons-grade hooks, and the latterâs guitar strums providing its bright backbone. This Human After All track aims to do for your ears what its eponymous small screen does for your eyes, holding them in its sway to the point that you forget whatever else is happening around you. An exercise in compelling simplicity, the five-and-a-half minute track is built about little more than an unyielding beat, a four-bar melody, a handful of drum patterns and a sharp synthesizer stab. We're up all night to get (Let's get funked again) Only one song could ever knock âOne More Timeâ off the Daft Punk masterstroke mountaintop, and itâs âDigital Love,â a dreamlike electro-pop revery that calms as much as it invigorates. Fragments of Time. And our cups to the stars Send ideas ... Grammy Award WINNER for Daft Punk RAM too). We're up all night to get some I'm up all night to get lucky