Wendy Kram has over 20 years of experience as an entertainment industry executive, consultant, and producer, developing and producing projects for Disney, Universal and Sony Studios, HBO, Showtime, Lifetime, NBC, ABC, CBS and USA Networks. This is a private lounge for students enrolled in Spencer Robinson's TV Lab. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. He was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. In this lab, you will be working directly with Mike in a virtual class setting and also during one-on-one online sessions to hone your concept and build your pilot outline and pitch deck for a fantastic, market-ready animated pilot. But first there’s the matter of getting your series in front of them and pitching it effectively. Payment plans are available - please contact Amanda at edu@stage32.com for more information He was known for his ability to work in these capacities across all genres during the golden age of radio, which earned him the nickname "Mr. Radio". Whether you're new to the site or have been a long standing member of the community, step forward and introduce yourself. They want those people and material that stands out immediately. A single-stage collector with a low inlet [below] will benefit from ductwork placed at floor or knee level. Having a solid, wise approach and knowing exactly what to say will give you the best chance of breaking the ice and securing the conversation you were hoping for. Read her weekly column every Monday. And that's where a killer query letter or a memorable and meaningful cold call can make a huge difference and set you apart from the crowd. Between meetings, reviewing content and business plans, and working with their clients and colleagues, time is at a premium. Irene began her association with Disney in March 1992, when she wrote Recycle Rex, the 1994 Environmental Media Award-winning animated short.Irene shares a screenplay credit on Disney’s animated features The Lion King, The Hunchback of Notre Dame and Hercules.Along with co-author Roger Allers, she received a 1998 Tony® nomination for writing the book for The Lion King. The Q&A was incredible. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. The opportunities may be extra plentiful right now, but you still need to have a dynamite show to present if you want to be noticed. Plus, to keep you motivated and inspired, you will have access to a private, dedicated Stage 32 Lounge where you can communicate with your fellow classmates throughout the writing process. - Jason A. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Learn best practices to make your pitch work and what your pitching document should look like Stage 32 + Netflix join forces to bring you an exclusive television pitch workshop Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Wendy will show you how query letters and cold calling can become powerful tools in your arsenal. You do NOT want to miss this! She will show you how to craft a logline, pitch, and powerful statements for just about any situation. This is the place to shine the light on yourself by posting your reels, loglines, crowdfunding campaign, personal blog, website or anything else you'd like to solicit feedback on or promote. As an added bonus - ***Get 3 FREE Oscar-Winning Scripts: Spotlight, All The President's Men & Network***. WHAT TO EXPECT Her credits include Mad Money with Diane Keaton, Queen Latifah, and Katie Holmes, the award-winning miniseries Sally Hemings: An American Scandal for CBS with Sam Neil, and current projects she's producing with Anonymous Content (the company responsible for True Detective, Mr. Talk to any executive and they'll tell you that they receive dozens if not hundreds of query letters a day. She will show you how to deliver your message with power and control while being engaging and confident. You will walk away learning techniques to help your directing, writing, acting and producing to help you improve your projects! Develop An Outline and Pitch Document for Your Animated Television Series in 5 Weeks During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others. If you are interested, please do book quickly. - Brent B. And you see behind the scenes that I've had shot with my son, as he grew up filmmaking, I would say, shoot me directing. You will, however, receive all the content from the webinar and be able to access it as many times as you'd like for up to 1 year through the My Education page. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. This certainly takes some work, but it’s absolutely achievable. But if you can ace all of these elements, you may have just found your way in and the piece of material that will fire you off the launch pad. As the founder of L.A. FOR HIRE, an international consulting firm, clients come to Wendy for her expertise in script development and the ability to connect projects with Hollywood A-list talent and decision-makers. It should be a comfort to know that you’re not the only one who wants your series on Netflix. since its release. Q: What if I cannot attend the live webinar?A: If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. Still, to sort through all the people and content that they confront and are presented on a daily basis can be a daunting task. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Unlimited access for 1 year. This is a private lounge for students enrolled in Anna Henry's TV Pitch Document Lab. This is a private lounge for Group 1 of Amanda Johnson-Zetterstrom's Writers' Room Workshop, This is a private lounge for Group 2 of Amanda Johnson-Zetterstrom's Writers' Room Workshop, This is a private lounge for Group 3 of Amanda Johnson-Zetterstrom's Writers' Room Workshop, This is a private lounge for Group 4 of Amanda Johnson-Zetterstrom's Writers' Room Workshop. Finally, you will have the invaluable opportunity to ask Christopher your own questions. Christopher Mack is Director, Creative Talent Investment & Development for Netflix International Originals. Later in life, he wrote a series of detective novels. The place to discuss anything on your mind film, television and theater related…or not. Television And Theater Creatives.” — Forbes, If you have a generic question about Stage 32 education you can take a look at our, Stage 32 + Netflix join forces to bring you an. A free and open forum. Sessions will vary between 2-hour group settings and personal one-on-one Zoom meetings with Mike. This certainly takes some work, but it’s absolutely achievable. The opportunity to work this closely and for this long with a manager and an expert in the field is an incredibly unique and valuable opportunity. Maybe Stage 32 just kept you in the game?! Robot, The Revenant, and Spotlight). Workshop and Jig Plans . MODES OF INSTRUCTION. In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix. Like. Her productions incorporated a wide range of genres, from agitprop (a type of political art performed on the street) to commedia dell’arte and music hall. This lab is designed for beginner and intermediate screenwriters looking to build a pilot from scratch or expand on an existing idea or polish an existing pilot. But, any executive will also tell you that if a subject line grabs them, or if the query letter shows the recipient that this was a personal, non-mass, attempt to get their attention, you have a very real shot of doing just that. On Demand Webinar How does the character make the complex simple? Theatre Arts. Television And Theater Creatives.” — Forbes, Aimee Schoof's Producing Lab - March 2021, Anna Henry's TV Pitch Document Lab (Jan 2021), Ashley Berns' Screenwriting Class (Feb 2021), Doug Atchison's Screenwriting Class Feb 2021, Heath Cullens' Actor and Camera Directing Class (Feb 2021), Heath Cullens' Fundamentals of Directing Class (Jan 2021), Jim Young's Indie Producing Class - Feb. 2021, Spencer Robinson's TV Drama Pilot Lab (Jan 2021), Writers' Room Workshop with AJZ (Feb 2021) - GROUP 1, Writers' Room Workshop with AJZ (Feb 2021) - GROUP 2, Writers' Room Workshop with AJZ (Feb 2021) - GROUP 3, Writers' Room Workshop with AJZ (Feb 2021) - GROUP 4. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. If you attend a live online webinar, you will be able to communicate directly with your instructor during the webinar. Considering this appetite, it doesn’t look like this trend is fading any time soon. Your Stage 32 Next Level educator, award-winning director, James Kicklighter, has personally learned this while directing his new documentary film, Digital Edition, profiling the digital tools changing media as we know it. - Virginia Y. The Baylor University Department of Theatre Arts is an elite program combining an excellent liberal arts education with rigorous training in both academic and artistic fields of theatre study. Through this process, we will identify the successful techniques from these masterpieces for directing and writing movies about the media we consume. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. She will instruct you how to not only get by the gatekeepers, but to get them to remember you - to become an ally. Thanks again. What’s the secret to breaking in, finding a job on staff or selling a new show? If you are running one of those operating systems, please upgrade now in order to be able to view a live webinar. For all the authors and playwrights in our community, a place to discuss, share content and post tips and advice. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. TELEVISION IS RUN BY WRITERS. He will guide you through creating engaging characters, building your world, perfecting your structure, constructing an outline and building your bible or pitch deck to sell your show. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Share it here. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. In “Deconstructing Oscar-Winning Films: Spotlight, Network & All The President’s Men,” we will evaluate and deconstruct common methods deployed in these three groundbreaking films to tell stories about journalism and media. Share. Tens of thousands of film, television and theater discipline discussions including acting, voice acting, screenwriting, filmmaking, cinematography, producing and more. In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. We will be referencing BREAKING BAD and UNORTHODOX, please familiarize yourself with these pilots and shows. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Q: What is the format of a webinar?A: Stage 32 Next Level Webinars are typically 90-minute broadcasts that take place online using a designated software program from Stage 32. Scores of upcoming animated shows are in the pipeline and just around the corner. “Stage 32 is Lynda.com Meets LinkedIn For Film, And all of these elements don’t need to just be good; they all need to lend themselves to the format and industry that is animated TV. This is a private lounge for members of Aimee Schoof's Producing Lab. And it's a you know, I put it up on a teaching platform. - Cate C. Creative Screenwriting Magazine ranks Wendy and L.A. FOR HIRE as one of the industry’s premiere script consulting firms. But first there’s the matter of getting your series in front of them and pitching it effectively. He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document. This is a private lounge for students enrolled in Aimee Schoof's Producing Lab. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Your host James was handpicked by Stan Lee to write the TV Pilot and Bible for THE RESTLESS for POW! With longstanding industry relationships, Wendy understands buyer and creative talent needs, and has direct access to principals at the major studios, networks, streaming providers and agencies. From pre-production to on set practices to navigating the industry and beyond, this is your forum. Wonderful class - simplified and helpful information that can be applied immediately for better results. James Dalessandro will work with aspiring Writers, Directors, Producers to focus them on what it takes to make the dream come true – a career in Television. But, that doesn't mean they're not on the lookout for new material and talent. It's all about creating intrigue, interest, and value while approaching your subject from a place of selflessness and thoughtfulness Students who sign up for this lab with Mike will be eligible to participate in a Level 2 Lab where Mike will continue to mentor you in writing your pilot! We will evaluate the preparation process of interviewing industry professionals, utilizing research to inform the written narrative, and how to visually manifest the themes on screen. Specifics of hybrid course formats will be established by each faculty member at the beginning of each course. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. For many, the holy grail of television has become Netflix. You must be a member of the Stage 32 Writers' Room to access this Lounge. To see the full writing lab schedule, see below under "What You Will Learn". since its release. Throughout the course of this exclusive online lab, you will have direct access to Mike as a mentor by email and via video conferencing as you develop your animated series. Joan Littlewood (1914–2002) was one of the most radical and influential theatre directors of the 20th century.. **This video presentation contains English closed captions. Whether you’re an editor, sound editor, Foley artist, compositor, VFX specialist or work in any profession related to the post-production process, this is the place to discuss, share content and offer tips and advice on your chosen craft of the business in general, The place for all producers to discuss, share content and offer tips and advice on raising funds, setting a budget, on set strategies and all other topics related to producing a film, television or theater project, From structure to content to representation to industry trends, this is the place to discuss, share content and offer tips and advice on the craft and business of screenwriting, The place to discuss, share content and offer tips and advice to transmedia – the technique of telling a single story or story across multiple platforms including, but not limited to, games, books, events, films and television. The place to discuss, share content and offer advice and tips on all things lighting, framing, cameras, lenses and technique, Discuss, share content, offer tips and advice on hardware, software, style, strategies, process, work-flow and the business of scoring a film, video or theater production, From film festival strategies to theatrical to VOD to online options to finding and securing a sales agent the place to discuss, share content and offer tips and advice on all things related to the distribution process, The place to discuss, share content and offer advice and tips on all things filmmaking and the craft of directing. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. Support... Find work or representation? In addition he also has Brad Bird (Incredibles, Incredibles 2, Ratatouille) attached to direct a feature film '1906' based on his own novel. How does the character who receives the info react? Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. And please welcome and support all that do post. New shows like SOLAR OPPOSITES on Hulu, CLOSE ENOUGH on HBO Max , and KIPO AND THE AGE OF WONDERBEASTS on Netflix are hugely popular, and this is just the beginning. To join the Writers' Room, click here. PLEASE NOTE: This exclusive Stage 32 lab is limited to 10 writers and will be booked on a first come, first served basis. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department. Because most of them don't have an attention grabbing subject line or little to no personalization, almost all end up in the trash. Cast your film or project? A GREAT, ORIGINAL PILOT. Hollywood studios will release less than 100 movies in 2019, most written by veteran writers. Netflix Animation Director Will Be Your Mentor via Virtual Classes & One-on-One Meetings! Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. The same holds true for cold calls. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively. Great. levels of preparedness for all citizens.” She presents a detailed strategy for building emergency-response capacity that will protect all U.S. citizens equally and, in much the same way that the federal government ensures that each state meets certain minimal environmental standards, will enforce basic requirements for public health in pandemic preparations and response. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. After the purchase of a live or On-Demand webinar, you will have on-demand access to the recording, which you can view as many times as you'd like for a whole year! More than 90% of working WGA writers are in TV, which is the market for quality writing and entertainment. All the while TV is exploding. A favorite and fixture among the Stage 32 community, Mike is deeply entrenched in the world of animated TV and knows better than most what it takes to get an animated show off the ground. It should be a comfort to know that you’re not the only one who wants your series on Netflix. Live and interactive functionality discussed on the recording does not apply to On-Demand webinars. He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. - Maria L. Over the past few decades as the media landscape has changed, so have methods for reporting and information gathering. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen. Since it’s possible for the bulk of the work to be completed from home or while socially distanced, animation has been flourishing as more players are turning to this format. Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. Wendy was really excited to be involved which was great! I put everything at commercial directing film school. Why? In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives.